Bottles of homemade plum wine link two worlds, two eras, and two lives through the eyes of Barbara Jefferson, a young American teaching at a Tokyo university. When her surrogate mother, Michi, dies, Barbara inherits an extraordinary gift: a tansu chest filled with bottles of homemade plum wine wrapped in sheets of rice paper covered in elegant calligraphy—one bottle for each of the last twenty years of Michi’s life.

Why did Michi leave her memoirs to Barbara, who cannot read Japanese? Seeking a translator, Barbara turns to an enigmatic pottery artist named Seiji, who will offer her a companionship as tender as it is forbidden. But as the two lovers unravel the mysteries of Michi’s life, a story that draws them through the aftermath of World War II and the hidden world of the hibakusha, Hiroshima survivors, Barbara begins to suspect that Seiji may be hiding the truth about Michi’s past—and a heartbreaking secret of his own.

Customer Review: Overcoming our past

This love story confronts the issues of how our own personal pain from past experience affects our ability to love in the future. The setting of this book takes you to post Hiroshima Japan. The affects on the people of this place and how it has affected others around the world. Not only does it look at war it also embraces the issues that are placed on children who are not given the love that most children take for granted. Sometimes we can overcome our past and sometimes we cannot. I especially liked the setting of Japan and the descriptions of the beauty of the land. Being able to have a small window into the world of another culture was a pleasure for me. While this was a Love Story it was more about our ability to look at what responsibility we each have to take in our own personal decisions. I believe this to be the best part of this book. While the stories themselves were adequate it was the ability to cause the reader to explore their own feelings regarding themselves and the world that truly made it worth the read.

Customer Review: Reading Between Cultures

I throughly enjoyed this book. Since I lived six years in Japan (from 1993-99) while immersing myself in the culture, I was delighted to see the accuracy of Angela's DAvis-Gardner portrayal Japanese way of thinking and relationships. The story caught me up in its suspense as I read on to discover where Barbara was going to find intimacy and how she'd manage these strange cross-cultural relationships, and what the writing on these plum wine bottles revealed. Descriptive language in this novel was beautiful and some passages brought an amused smile to my lips.

I was astonished by the range of reviews by others. Several talked about how they couldn't understand how Barbara could be attracted to Seiji. Some found both characters unsympathetic or shallow. I don't find fault with these characters but with others reading and understanding of these two protagonists.

I think critics who are harsh on these characterizations haven't lived alone in a foreign land and felt the keen loneliness inherent in that situation, especially in a land where the ideal of men and the values they lives by (work has priority over relationships, relationship with mother has priority over spouse) are so different than western values.

Both Barbara and Seiji were sympathetic characters for me because I understood and felt their dilemmas and could see the cross-cultural issues at play. I could understand how Barbara would waver between going along with Seiji's ways and trying to change him to American romantic ideals.

I thank Angela for a compelling read that enlightened me to the shame and sadness experienced by survivors of Hiroshima.

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